Admiral Nelson

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Admiral Horatio Nelson. Naval art prints showing Admiral Nelson during the Battle of Trafalgar on board HMS Victory and the death of Lord Nelson. Naval art prints published by Cranston Fine Arts.

Horatio Nelson, the early years. At the age of 12 Horatio Nelson joined the Royal navy as a midshipman in 1770 on the 1386 ton HMS Raisonnable. In 1777 he became Second Lt. on the 32 gun, HMS Lowestoffe. Later he became commander of the 138 ton brig HMS Badger and 6 months later taking over the command of the Frigate HMS Hinchinbrook.  He was a Captain at the age of 21.


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Nelson by John Hoppner after Healy.

Open edition print. Image size 15 inches x 24 inches (38cm x 61cm). Price £43.00

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Open edition print. Image size 8 inches x 12 inches (20cm x 31cm). Price £14.00



**Open edition print. (2 copies reduced to clear) Image size 15 inches x 24 inches (38cm x 61cm). Price £28.00


ITEM CODE DHM0528

Admiral Sir Horatio Nelson by L F Abbott.

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Open edition print, on gouttelette paper. Special Offer £140.00

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Admiral Sir Horatio Nelson by L F Abbott.

Open edition print, on gouttelette paper. Paper size 26 inches x 22 inches (66cm x 56cm). Price £140.00

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ITEM CODE GM0129

Horatio Nelson - Victor at Trafalgar

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50 minutes. £12.99
Video. £13.99

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Horatio Nelson - Victor at Trafalgar

The name of Britains most celebrated naval tactician is inextricable linked to victory. Whether in reference to his famous ship or in memory of his many triumphs, Horatio Nelson lived a charmed existence upon the waves. His life on dry land, however, was to prove less victorious and far more controversial as his personal dealings became something of a scandal. A married man, yet openly flaunting his affair with Lady Emma Hamilton, wife of Lord Hamilton, Nelson caused outrage in both London society and within the higher echelons of the navy. Narrated by Graham McTavish

50 minutes. . Price £12.99


Video. 55 minutes.. Price £13.99


ITEM CODE CROM1192

Nelson Boarding the San Josef at the Battle of St Vincent, February 14th 1797 by E S Hodgson. (P)

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Antique print published 1915. Special Offer £51.00

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Nelson Boarding the San Josef at the Battle of St Vincent, February 14th 1797 by E S Hodgson. (P)

Antique print published 1915. Paper size 10.5 inches x 7.5 inches (26cm x 19cm). Price £51.00


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ITEM CODE ANT0069


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Nelson, 1799 in Full dress by Chris Collingwood.
for £130

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In the Thick of Battle by Chris Collingwood.
for £140

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Portrait of Admiral Nelson by Chris Collingwood.

Signed limited edition of 1150 prints. Image size 17 inches x 25 inches (43cm x 64cm). Price £95.00

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Limited edition of 50 artist proofs. Image size 17 inches x 25 inches (43cm x 64cm). Price £130.00

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Special Offer Save £5 on selected prints - Was £135


Limited edition of 50 giclee canvas prints. Image size 30 inches x 40 inches (76cm x 102cm). Price £690.00

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Postcard size 6 inches x 4 inches (15cm x 10cm). Price £2.00

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ITEM CODE DHM1316

Portrait of Horatio Nelson by Captain Richard Brydges Beechey.

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Open edition print. Special Offer £43.00
Open edition print. Special Offer £14.00

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Portrait of Horatio Nelson by Captain Richard Brydges Beechey.

Open edition print. Image size 15 inches x 24 inches (38cm x 61cm). Price £43.00

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Open edition print. Image size 8 inches x 12 inches (20cm x 31cm). Price £14.00



ITEM CODE DHM0522


1 Discount Two-Print Pack Available on These Editions, Including :

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Portrait of Admiral Nelson by Chris Collingwood.
for £130

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Nelson, 1799 in Full dress by Chris Collingwood.

Signed limited edition of 75 prints. Paper size 12 inches x 9 inches (31cm x 23cm). Price £51.00

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Limited edition of 25 artist proofs. Image size 12 inches x 9 inches (31cm x 23cm). Price £60.00

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Original Oil Sketch by Chris Collingwood produced on high quality art paper. Paper size 18 inches x 24 inches (46cm x 61cm). Price £950.00


ITEM CODE CCP0029


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HMS Vanguard at Portsmouth By Ivan Berryman.
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The Brave Redoutable by Ivan Berryman.
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HMS Vanguard by Ivan Berryman.

Nelsons Flagship Vanguard is seen departing St Helens Anchorage heading a convoy of merchantmen en route to Lisbon and the Mediterranean on 8th April 1798. This voyage would culminate in the Battle of the Nile where the British fleet routed that of the French at Aboukir Bay on the evening of 1st August that same year.

Signed limited edition of 200 giclee paper prints. Image size 26 inches x 19 inches (66cm x 48cm). Price £150.00

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Limited edition of 50 artist proofs. Image size 26 inches x 19 inches (66cm x 48cm). Price £200.00

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Small limited edition of 20 artist proofs. Image size 12 inches x 9 inches (31cm x 22cm). Price £85.00

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Small signed limited edition of 50 prints. Image size 12 inches x 9 inches (31cm x 22cm). Price £62.00

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Limited edition of up to 50 giclee canvas prints. Size 40 inches x 30 inches (102cm x 76cm). Price £545.00

Special Offer £135 Off Selected Giclee Canvas Prints - Was £680


Limited edition of up to 50 giclee canvas prints. Size 36 inches x 26 inches (91cm x 66cm). Price £480.00

Special Offer £110 Off Selected Giclee Canvas Prints - Was £590


Limited edition of up to 50 giclee canvas prints. Size 30 inches x 22 inches (76cm x 56cm). Price £370.00

Special Offer £90 Off Selected Giclee Canvas Prints - Was £460


ITEM CODE DHM2702

HMS Agamemnon by Geoff Hunt.

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Signed limited edition of 850 prints. Special Offer £95.00

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HMS Agamemnon by Geoff Hunt.

Nelsons first flagship leads the squadron, Mediterranean, 1796. Nelson flies his flag as a Commodore, commanding his first squadron. He had commanded the 64-gun battleship Agamemnon, the ship he referred to as his favourite, since 1793. Nelson was given a Commodores pennant in March 1796, making Agamemnon his first flagship. In April 1796, Nelson was operating in the Gulf of Genoa with the small squadron depicted in this beautiful print. Agamemnon is shown leading Meleager 32, Blanche 32, Diadem 64 and the now famous 16 gun brig-sloop Speedy. She was at the centre of events fighting at the Battle of Saintes, the Battle of Copenhagen and of course Trafalgar, the summit of her career.

Signed limited edition of 850 prints. Image size 18 inches x 15 inches (46cm x 38cm) Paper size 21.5 inches x 19.5 inches (55cm x 50cm). Price £95.00



ITEM CODE LI0017


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Admiral Nelsons Victory at the Battle of the Nile by Graeme Lothian.

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Limited edition of 50 artist proofs. Image size 25 inches x 14 inches (64cm x 36cm). Price £130.00

Special Offer Part of our Buy One, Get One Half Price Offer


Special Offer Save £5 on selected prints - Was £135


Limited edition of 50 giclee canvas prints. Image size 36 inches x 20 inches (91cm x 51cm). Price £480.00

Special Offer £110 Off Selected Giclee Canvas Prints - Was £590


Limited edition of 50 giclee canvas prints. Image size 30 inches x 18 inches (76cm x 46cm). Price £370.00

Special Offer £90 Off Selected Giclee Canvas Prints - Was £460


ITEM CODE DHM1158

The Hero of Trafalgar by William Hersman Overend.

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Open edition print. Special Offer £37.00

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The Hero of Trafalgar by William Hersman Overend.

Depicting Nelson on the deck of HMS Victory, during the Battle of Trafalgar.

Open edition print. Image size 17 inches x 12 inches (43cm x 31cm). Price £37.00

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ITEM CODE DHM0515

The Battle of Trafalgar Fall of Nelson by Dennis Dighton.

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Open edition print. Special Offer £43.00

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The Battle of Trafalgar Fall of Nelson by Dennis Dighton.

Showing the scene onboard HMS Victory as Admiral Nelson is shot by a French marksman in the rigging.

Open edition print. Image size 23 inches x 15 inches (58cm x 38cm). Price £43.00

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ITEM CODE DHM0150

Goodbye My Lads by Fred Roe.

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Open edition print. Special Offer £43.00
Limited edition of 200 giclee paper prints. Special Offer £180.00

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Goodbye My Lads by Fred Roe.

Lord Nelson waves goodbye to the crowd at Portsmouth. Lord Nelson joins his ship HMS Victory before the battle of Trafalgar.

Open edition print. Image size 24 inches x 14 inches (61cm x 36cm). Price £43.00

Special Offer Part of our Buy One, Get One Half Price Offer


Special Offer Save £5 on selected prints - Was £48


Limited edition of 200 giclee paper prints. Image size 30 inches x 18 inches (76cm x 46cm). Price £180.00

Special Offer Part of our Buy One, Get One Half Price Offer



ITEM CODE DHM0154

The Death of Nelson at the Battle of Trafalgar by Daniel Maclise.

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Special Offer £51.00

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The Death of Nelson at the Battle of Trafalgar by Daniel Maclise.

Admiral Horatio Nelson is seen lying on the deck of HMS Victory after being mortally wounded, hit in the shoulder with the bullet going down through his chest, fired from a French sniper high in the rigging of the French ship Redoubtable, which is entangled with HMS Victory during the later stages of the Battle of Trafalgar. The painting also shows in great detail British sailors performing their duties on board Victory and the French ships rigging entangled in that of Victory. French crew can be seen firing and fighting against the British. Admiral Nelson would be taken below decks where he would die as the battle was won. The original painting which is some 15 metres in length hangs in the Palace of Westminster.

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ITEM CODE DHM0890


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Lord Nelson by Christian Symons.

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Original chromolithograph published c.1890. Size 7 inches x 10 inches (18cm x 25cm). Price £120.00


ITEM CODE ANTN0020

Boreas in the West Indies March 1787 by Geoff Hunt.

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Signed limited edition of 850 prints. Special Offer £120.00

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Boreas in the West Indies March 1787 by Geoff Hunt.

On 18th March 1784, Nelson was extremely lucky to be appointed to command HMS Boreas. The previous September, the Treaty of Versailles had ended the American War of Independence and many naval officers anticipated an extended period on the beach. Perhaps through political influence, Nelson was singled out for the command of the 28-gun frigate Boreas which was destined for a commission in the West Indies. The frigate was the most glamorous warship type in the navy. Although not heavily gunned, it was fast enough to evade larger enemies. It was likely to be given an independent role, whilst ships of the line normally operated in fleets off the enemy coast. The frigate often fought singleship actions against enemy frigates and these were followed avidly by the press and public. Successful frigate captains had something of the image of top-scoring fighter pilots in the Second World War and a few achieved great fame and riches derived from prize money. The frigate was designed with an unarmed lower deck so that its guns were well above the water line, this meant that it could be allowed to heel quite considerably and carry sail in strong wind and heavy seas. On occasion frigates made fourteen knots, making them the fastest ships in the navy. The frigate was used for convoy escort, commerce raiding and patrols. They were also the eyes of the battle fleet. Nelsons time with Boreas, his only peacetime commission, came close to being professional suicide although on all occasions Nelson had, strictly speaking, been in the right. He also found himself being sued for £40,000, something of a problem for a man whose full pay was £260 a year! Before Boreas arrived on station, she had to make the long voyage across the Atlantic carrying passengers with government connections as was common at this time. Amongst the passengers was Lady Hughes, the wife of a senior naval officer with whom he was later to clash, but who provided good company on the voyage. Very much later she wrote about her experiences on Boreas. She observed, with considerable insight, Nelsons leadership abilities, particularly in regard to the many young midshipmen on board, some of whom might have been as young as 12 or 13. She wrote: Among such a number, it may reasonably be supposed there must have been timid spirits, as well as bold. The timid he never rebuked, but always wished to show them he desired nothing that he would not instantly do himself. and I have known him say, Well, sir, I am going a race to the mast-head, and beg I may meet you there. No denial could be given to such a request, and the poor little fellow instantly began to climb the shrouds. Captain Nelson never took the least notice in what manner it was done, but when they met in the top, spoke in the most cheerful terms to the midshipman, and observed how much any person was to be pitied who could fancy there was any danger, or even anything disagreeable in the attempt. After this excellent example, I have seen the same youth who before was so timid, lead another in like manner, and repeat his commanders words. The main problems he encountered in the West Indies, which made the next nine months on the station wretched and frustrating for him, were caused by the newly found independence of the American colonies which were, under the English Navigation Acts, no longer allowed to trade with British colonies, including those that were close at hand in the West Indies. Nelson later described the problem he faced: The Americans, when colonists, possessed almost all the trade from America to our West India islands, on the return to peace (after the War of Independence) they forgot, on this occasion, they became foreigners, and of course had no right to trade in the British colonies. But of course they were trading, and no one was trying to stop them: Our Governors and Custom-house Officers pretended that by the Navigation Act they had a right to trade, and all the West Indians wished that was so much in their interest. Nelson found he was senior captain on the station and he took his responsibility seriously. He knew the trade was illegal and was determined to stop it. Admiral Hughes was in overall command but he was a weak man and turned a blind eye to the local trade with America. Nelson declined to do this and the result was a confrontation, not just with Hughes but the local traders, including the islanders of Nevis who banded together to sue him for the trade he had lost them. Although Nelson was vindicated by the Admiralty the legal ramifications took years to sort out. If the island of Nevis brought him a very disagreeable legal action, it also brought him a wife. One might surmise that his somewhat impetuous decision to marry was prompted, to some extent, by the loneliness and unhappiness the commission had brought him. Frances Nisbet was a widow of 27, with a five-year-old son, Josiah. Her father had been a judge on the island, her husband, the familys doctor, had succumbed to the very tropical diseases he was called on so often to treat. When Nelson met her she was keeping house for her uncle, John Richardson Herbert, a rich local landowner and politician. Nelsons courtship of Fanny Nisbet was carried out largely by letter as Boreas carried out her duties throughout the West Indies. The marriage took place at John Herberts house, Mompelier, on 11 th March 1787, the best man being Lieutenant Digby Dent of the Boreas. Geoff Hunts painting shows Boreas on passage to Nevis in the spring of 1787, the ship and her crew enjoying the warm weather and steady prevailing winds. It was no hardship to be a masthead lookout in such conditions.

Signed limited edition of 850 prints. Image size 17 inches x 23 inches (43cm x 58cm). Price £120.00



ITEM CODE LI0021

Agamemnon Opens Fire on the Ca Ira, 13th March 1795 by Geoff Hunt.

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Signed limited edition of 850 prints. Special Offer £120.00

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Agamemnon Opens Fire on the Ca Ira, 13th March 1795 by Geoff Hunt.

Like most Royal Navy officers of his time, Nelsons continuing career was subject to the vicissitudes of the Services operational needs. After paying off Boreas in 1787 Nelson spent five years on the beach in his native Norfolk. In the winter of 1792, it looked as though, at last, Revolutionary France would declare war on England. To Nelsons delight, his endless entreaties to the Admiralty finally bore fruit. On 7th January 1793 he was appointed to command HMS Agamemnon. Nelson looked forward to his new command with enthusiasm. He was 34 years old, mature, experienced, with 14 years seniority on the post list and he had spent much of the last five years thinking about naval tactics. If Nelson was in the prime of life then so also was Agamemnon. Built twelve years previously, of New Forest Oak, she was launched at Bucklers Hard on the river Beaulieu in Hampshire and was, unusually at that time, for the technique was then still quite new, copper-bottomed. In 1793 Agamemnon was, for her size, one of the fastest warships afloat anywhere. Her 64 guns made her technically a thirdrate, by this date the smallest type to appear in the line of battle. Once in commission, Nelson decided that her size did not matter: far more importantly, she sailed well, and her strength and speed would offer opportunities a larger vessel might miss. It was said, she could outsail anything she could not outgun and outgun anything she could not outsail. As far as possible, Nelson recruited his crew from volunteers in Norfolk where he was well-known and which anyway had the reputation for producing fine seamen. The high proportion of volunteers undoubtedly contributed to the effectiveness of a ship that was to become renowned for its fighting efficiency. After a brief interlude of Channel patrols Agamemnon was soon despatched to the Mediterranean to serve under the command of Admiral Lord Hood. France had finally declared war on England on 1st February. For the next three years Nelson and Agamemnon served with distinction in a variety of naval operations in the Mediterranean. A happy ship, devoted to their Captain, Agamemnon was never far from the action. As might be expected with Nelson in command, many of the actions were somewhat unconventional. Perhaps the most notable of these was his involvement in the amphibious campaign in Corsica which finally resulted in the capture of Calvi. The incident portrayed in Geoff Hunts painting took place on 13th March 1795. By this time Lord Hood had been succeeded by Vice-Admiral Hotham as Commander-in-Chief in the Mediterranean. Hothams hesitancy and caution did not endear him to Nelson. The blockade of Toulon, a central part of British naval strategy, continued under Hotham who on 6th March ordered part of the fleet to pursue seventeen enemy ships of the line and five smaller ships that had been observed emerging from Toulon, bound for Corsica. Poor winds handicapped the pursuit but at dawn on 13th March the British fleet found itself twelve miles from a retreating enemy with Agamemnon, the fastest ship in the fleet, pulling away from the rest except for Captain Fremantles Inconstant. The French might have escaped altogether but one of their 80-gun sIrips of the line - the Ca Ira - had been in collision with another and lost her fore and main topmasts. The Inconstant, a frigate of only 36 guns, engaged the Ca Ira but had to withdraw badly damaged. Agamemnon, now several miles ahead of the rest of the fleet, was the next to engage. By this rime the Ca Ira was in tow by the Vestale and was protected by two other ships of the line - one of 74, the other of 120 guns. Nelsons technique of dealing with the far larger Ca Ira which Nelson described as absolutely large enough to have taken the Agamemnon in her hold was to attack her from the stern so that the Ca Ira could never bring either of her devastating broadsides to bear. However, considerable damage was done by her stern chasers. Nelson had not intended to fire until he was almost touching the Ca Ira but he changed his mind, allowing Agamemnon to bear away from the line of pursuit so that her broadside could be fired. It is precisely this moment that is portrayed in the painting. For 2 and a half hours Agamemnon slowly closed on the Ca Ira in the light airs, slowed only by bearing away to fire her broadside. Although Agamemnon was constantly hit by the accurate stern chaser fire from Ca Ira and her sails and rigging considerably damaged none of the ships crew were killed although some were wounded. The Ca Ira, on the other hand, was hit constantly by the double-shotted broadsides and suffered heavy casualties. By 1pm the signal of recall had been hoisted by Hotham and to Nelsons great irritation the Ca Ira was allowed to escape. She was captured next day by a larger force of British ships but Nelson was appalled at Hothams decision not to continue his pursuit of the main fleet. Absolutely in the horrors, as he described it, he heard Admiral Hotham say: We must be contented: we have done very well. In a further letter about the action Nelson spelled out his own ambition: I wish to be an Admiral, and in command of the English fleet. I should very soon either do much, or be ruined. My disposition cannot bear tame and slow measures.

Signed limited edition of 850 prints. Image size 17 inches x 23 inches (43cm x 58cm). Price £120.00



ITEM CODE LI0020


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Victorys Loss by Mark Churms.

British Vice Admiral Nelson of the Royal Navy, is shot on the quarter deck of his flag ship, H.M.S. VICTORY at the height of the Battle of Trafalgar. He later dies from the mortal bullet wound. Despite this loss, the French and Spanish Fleets are roundly defeated in this epic sea engagement of the Napoleonic Wars.

Limited edition of 750 high quality art paper prints. Image size 30.5 inches x 20 inches (77cm x 51cm). Price £260.00


Limited edition of 750 high quality art paper prints. Image size 19.5 inches x 13 inches (50cm x 33cm). Price £160.00


Limited edition of 750 giclee canvas prints. Image size 30.5 inches x 20 inches (77cm x 51cm). Price £340.00


Limited edition of 750 giclee canvas prints. Image size 19.5 inches x 13 inches (50cm x 33cm). Price £230.00


ITEM CODE MC0013

Nelson Boarding the San Nicholas by Howard Davie. (P)

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Antique lithograph published 1915. Special Offer £25.00

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Nelson Boarding the San Nicholas by Howard Davie. (P)

Antique lithograph published 1915. Paper size 9 inches x 6.5 inches (23cm x 17cm). Price £25.00



ITEM CODE ANT0101

 

 

SHOWCASE PRODUCT

EDITIONS

Special Offer Pack of All Four Prints Price : £360

Leading the Way by Gerald Coulson Price : £180

Action This Day by Richard Taylor Price : £110

Halifax Mk.III NA337 by Ivan Berryman Price : £135

Halifax Tugs Towing Hamilcar Gliders by Ivan Berryman. Price : £105

ARTIST
Featured Artist - Gerald Coulson



Gerald Coulson has been painting professionally for over 30 years and has a reputation that is second to none. Entirely self taught, he developed his technique to such a high standard that his work was published as fine art prints, enabling him to begin a full time painting career in 1969. Since that time his work, covering many different subjects, has been published and marketed worldwide as both open and limited edition prints. Gerald has had many one-man shows both in the UK and the USA and his work has been extensively exhibited throughout the world. A recent one man show of his in the UK attracted more than 3000 people in two days. The Fine Art Trade Guild have placed him in the top ten best selling artists no less than fifteen times - three times at number one. Coulson's passion for aircraft stems from childhood. This passion led to an apprenticeship as an aircraft engineer after which he served in the RAF as a technician and with British Airways as an engineer at Heathrow. His knowledge of aircraft engineering, combined with his drawing ability, led to him becoming a Technical Illustrator of service manuals for Civil and Military aircraft. These experiences and technical background have allowed him an insight and intimate knowledge of the aircraft he paints. Along with a unique ability to capture these aircraft on canvas this naturally led to a painting career which he has developed to successfully cover a wide variety of subjects. Following a trip to the 1991 British Grand Prix his interest in Motor racing was fuelled. His ability to capture the technical detail and a talent for painting subjects at speed meant that this was a perfect natural progression alongside his aviation work and he is now also firmly established as one of the worlds leading motor racing artists. A Vice President and founder member of the Guild of Aviation Artists he is a four times winner of the Flight International Trophy for outstanding aviation painting. He qualified for his pilots licence in 1960 and is still actively flying today - mostly vintage aircraft, and can often be seen buzzing over the Fens of Cambridgeshire in a Tiger Moth. Whatever the subject he paints, whether aviation, landscape or portrait, his unique ability to capture the realism and 'mood'of the scene is unsurpassed, making him one of the most widely collected and highly regarded artists in the world today.

Pilot and Aircrew Signed Halifax Prints



Save £170 on this specially selected pack of Halifax bomber aviation art prints. All four prints for £360, giving collectors these prints at trade discounted prices!

This pack of aviation art prints includes 4 separate prints, at a highly discounted price when purchased in this special pack. The prints included in the pack are :

Leading the Way by Gerald Coulson,
Action This Day by Richard Taylor,
Halifax Mk.III NA337 by Ivan Berryman
and
Halifax Tugs Towing Hamilcar Gliders by Ivan Berryman.

In all, the prints have 9 different signatures of pilots and aircrew related to the Halifax aircraft.

Click the 'Special Offer Pack' Edition to order.

DETAIL IMAGES





EXTRAS

More Naval Art from our product database :

The Hunters by Randall Wilson. (C)



HMS Hood by Ivan Berryman. (APB)



Breakout by Randall Wilson. (B)



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