HMS Boreas

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HMS Boreas Royal naval frigate, HMS Boreas, one of Horatio Nelson's Royal Naval frigates in naval art print by Ivan Berryman and Geoff Hunt available from the naval art company, Cranston Fine Arts.

Boreas in the West Indies March 1787 by Geoff Hunt.

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Signed limited edition of 850 prints. Special Offer £120.00

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Boreas in the West Indies March 1787 by Geoff Hunt.

On 18th March 1784, Nelson was extremely lucky to be appointed to command HMS Boreas. The previous September, the Treaty of Versailles had ended the American War of Independence and many naval officers anticipated an extended period on the beach. Perhaps through political influence, Nelson was singled out for the command of the 28-gun frigate Boreas which was destined for a commission in the West Indies. The frigate was the most glamorous warship type in the navy. Although not heavily gunned, it was fast enough to evade larger enemies. It was likely to be given an independent role, whilst ships of the line normally operated in fleets off the enemy coast. The frigate often fought singleship actions against enemy frigates and these were followed avidly by the press and public. Successful frigate captains had something of the image of top-scoring fighter pilots in the Second World War and a few achieved great fame and riches derived from prize money. The frigate was designed with an unarmed lower deck so that its guns were well above the water line, this meant that it could be allowed to heel quite considerably and carry sail in strong wind and heavy seas. On occasion frigates made fourteen knots, making them the fastest ships in the navy. The frigate was used for convoy escort, commerce raiding and patrols. They were also the eyes of the battle fleet. Nelsons time with Boreas, his only peacetime commission, came close to being professional suicide although on all occasions Nelson had, strictly speaking, been in the right. He also found himself being sued for £40,000, something of a problem for a man whose full pay was £260 a year! Before Boreas arrived on station, she had to make the long voyage across the Atlantic carrying passengers with government connections as was common at this time. Amongst the passengers was Lady Hughes, the wife of a senior naval officer with whom he was later to clash, but who provided good company on the voyage. Very much later she wrote about her experiences on Boreas. She observed, with considerable insight, Nelsons leadership abilities, particularly in regard to the many young midshipmen on board, some of whom might have been as young as 12 or 13. She wrote: Among such a number, it may reasonably be supposed there must have been timid spirits, as well as bold. The timid he never rebuked, but always wished to show them he desired nothing that he would not instantly do himself. and I have known him say, Well, sir, I am going a race to the mast-head, and beg I may meet you there. No denial could be given to such a request, and the poor little fellow instantly began to climb the shrouds. Captain Nelson never took the least notice in what manner it was done, but when they met in the top, spoke in the most cheerful terms to the midshipman, and observed how much any person was to be pitied who could fancy there was any danger, or even anything disagreeable in the attempt. After this excellent example, I have seen the same youth who before was so timid, lead another in like manner, and repeat his commanders words. The main problems he encountered in the West Indies, which made the next nine months on the station wretched and frustrating for him, were caused by the newly found independence of the American colonies which were, under the English Navigation Acts, no longer allowed to trade with British colonies, including those that were close at hand in the West Indies. Nelson later described the problem he faced: The Americans, when colonists, possessed almost all the trade from America to our West India islands, on the return to peace (after the War of Independence) they forgot, on this occasion, they became foreigners, and of course had no right to trade in the British colonies. But of course they were trading, and no one was trying to stop them: Our Governors and Custom-house Officers pretended that by the Navigation Act they had a right to trade, and all the West Indians wished that was so much in their interest. Nelson found he was senior captain on the station and he took his responsibility seriously. He knew the trade was illegal and was determined to stop it. Admiral Hughes was in overall command but he was a weak man and turned a blind eye to the local trade with America. Nelson declined to do this and the result was a confrontation, not just with Hughes but the local traders, including the islanders of Nevis who banded together to sue him for the trade he had lost them. Although Nelson was vindicated by the Admiralty the legal ramifications took years to sort out. If the island of Nevis brought him a very disagreeable legal action, it also brought him a wife. One might surmise that his somewhat impetuous decision to marry was prompted, to some extent, by the loneliness and unhappiness the commission had brought him. Frances Nisbet was a widow of 27, with a five-year-old son, Josiah. Her father had been a judge on the island, her husband, the familys doctor, had succumbed to the very tropical diseases he was called on so often to treat. When Nelson met her she was keeping house for her uncle, John Richardson Herbert, a rich local landowner and politician. Nelsons courtship of Fanny Nisbet was carried out largely by letter as Boreas carried out her duties throughout the West Indies. The marriage took place at John Herberts house, Mompelier, on 11 th March 1787, the best man being Lieutenant Digby Dent of the Boreas. Geoff Hunts painting shows Boreas on passage to Nevis in the spring of 1787, the ship and her crew enjoying the warm weather and steady prevailing winds. It was no hardship to be a masthead lookout in such conditions.

Signed limited edition of 850 prints. Image size 17 inches x 23 inches (43cm x 58cm). Price £120.00



ITEM CODE LI0021


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Special Offer Part of our Buy One, Get One Half Price Offer


Special Offer Save £5 on selected prints - Was £75


Limited edition of 50 artist proofs. Image size 17 inches x 13 inches (43cm x 33cm). Price £100.00

Special Offer Part of our Buy One, Get One Half Price Offer


Special Offer Save £5 on selected prints - Was £105


Limited edition of up to 50 giclee canvas prints. Size 30 inches x 20 inches (76cm x 51cm). Price £390.00

Special Offer £90 Off Selected Giclee Canvas Prints - Was £480


Limited edition of up to 50 giclee canvas prints. Size 24 inches x 16 inches (61cm x 41cm). Price £400.00


ITEM CODE DHM1531

 

 

SHOWCASE PRODUCT

EDITIONS

Original Painting - High Patrol by Ivan Berryman Price : £5995

Original Painting - Battle of Britain by Graeme Lothian Price : £2500

Original Painting - Total Commitment by Ivan Berryman Price : £3500

Original Painting - Close Encounter by Ivan Berryman Price : £2500

Original Acrylic - Galland by Ivan Berryman Price : £850

ARTIST
Featured Artist - Ivan Berryman



Art and aviation have been like a brother and sister to me. We have grown up together, learned together and made our adult lives together. But you do not have to have an appreciation of aircraft to admire the graceful lines of a Spitfire or the functional simplicity of a Focke-Wulf 190. They are themselves a work of art and they cry out to be painted - not as machines of war and destruction, but as objects of beauty, born of necessity and function, yet given a life and iconic classicism beyond their original calling. My interest and love of art and aircraft was gifted to me by my father, a designer and aeronautical engineer of considerable repute. Denis Berryman C.Eng. FRAeS. He gave me his eyes, his passion, his dedication and his unwavering professionalism. I owe him everything. And I miss him terribly. A love of art and of beautiful and interesting things takes you on a journey. You discover new interests, new fascinations, and you want to paint them. You want to paint them in their environment, in their element. Whether it is an aeroplane, a warship, a racing car or a beautiful woman, their gift to an artist is the same: Their lines, their texture and the way that light and shadows give them form. These are the food and oxygen of an artist. Not the paint and the canvas. These are mere tools. The secret is in the passion and the perception.

Original Battle of Britain Paintings



Your chance to own a superb original Battle of Britain painting! Displayed in the images here are four of the best paintings of the Battle of Britain available from Cranston Fine Arts. Click the links on the left to learn more about the aircraft, squadrons and pilots depicted in these extraordinary oil paintings.

To commemorate the 70th Anniversary of the Battle of Britain, we have also commissioned many original pencil drawings which have been signed by pilots who flew during the Battle of Britain. The unique items can be seen on the special pencil drawing pages of artists Ivan Berryman and David Pentland.

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EXTRAS

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