HMS Vanguard

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HMS Vanguard by naval artists Ivan Berryman and Geoff Hunt. HMS Vanguard, Admiral Nelson's flagship at the Battle of the Nile, in naval art print by maritime artist Geoff Hunt available from the naval art company, Cranston Fine Arts.

The Armada. The Attack of the Vanguard.

Open edition print. Image size 24 inches x 14 inches (61cm x 36cm). Price £48.00


Open edition print. Image size 12 inches x 7 inches (31cm x 18cm). Price £14.00


Original antique coloured engraving, c. 1860s. Image size 32 inches x 20 inches (81cm x 51cm). Price £900.00

ITEM CODE DHM0303

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Hurricane Mk.IIC by Ivan Berryman.

Item Price : £15

The Sentinel by Ivan Berryman.

Item Price : £75

HMS Vanguard at Portsmouth By Ivan Berryman.

Proud flagship of Admiral nelson at the battle of the Nile. HMS Vanguard is pictured lying near the entrance of Portsmouth harbour at sunset in company with another Nile veteran HMS majestic. vanguard one of fourteen 3rd rate 74,s penned by the famous ship designer Slade was launched in 1787 and enjoyed a long and eventful career under numerous Commanding officers. in various roles until finally being broken up in 1821.

Signed limited edition of 1150 prints. Image size 25 inches x 16 inches (64cm x 41cm). Price £95.00


Limited edition of 50 artist proofs. Image size 25 inches x 16 inches (64cm x 41cm). Price £135.00


Limited edition of 50 giclee canvas prints. Image size 36 inches x 26 inches (91cm x 66cm). Price £590.00


Limited edition of 50 giclee canvas prints. Image size 30 inches x 20 inches (76cm x 51cm). Price £460.00


Original painting by Ivan Berryman. Image size 30 inches x 22 inches (76cm x 56cm). Price £

ITEM CODE DHM1249

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Coastal Command - Avro Anson Mk.I by Ivan Berryman. (B)

Item Price : £300

Dawn Eagles Rising by Robert Taylor.

Item Price : £125

HMS Vanguard by Ivan Berryman.

Nelsons Flagship Vanguard is seen departing St Helens Anchorage heading a convoy of merchantmen en route to Lisbon and the Mediterranean on 8th April 1798. This voyage would culminate in the Battle of the Nile where the British fleet routed that of the French at Aboukir Bay on the evening of 1st August that same year.

Signed limited edition of 200 giclee paper prints. Image size 26 inches x 19 inches (66cm x 48cm). Price £135.00


Limited edition of 50 artist proofs. Image size 26 inches x 19 inches (66cm x 48cm). Price £180.00


Small limited edition of 20 artist proofs. Image size 12 inches x 9 inches (31cm x 22cm). Price £75.00


Small signed limited edition of 50 prints. Image size 12 inches x 9 inches (31cm x 22cm). Price £56.00


Limited edition of up to 50 giclee canvas prints. Size 40 inches x 30 inches (102cm x 76cm). Price £680.00


Limited edition of up to 50 giclee canvas prints. Size 36 inches x 26 inches (91cm x 66cm). Price £590.00


Limited edition of up to 50 giclee canvas prints. Size 30 inches x 22 inches (76cm x 56cm). Price £460.00

ITEM CODE DHM2702

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The Duel - Nigel Mansell and Ayrton Senna at Monaco, 1992 by Ivan Berryman. (B)

Item Price : £56

Summer 1940 by Ivan Berryman. (B)

Item Price : £80

Vanguard in Heavy Weather off Toulon, 19th May 1798 by Geoff Hunt.

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Signed limited edition of 850 prints. £120.00

Vanguard in Heavy Weather off Toulon, 19th May 1798 by Geoff Hunt.

The seven months Nelson spent ashore after the disastrous Tenerife campaign which cost him an arm, were the happiest period of his marriage to Fanny. As she nursed him back to health they appeared to be living in domestic bliss, disturbed only by his annoyance at having missed the resounding victory at Camperdown on 11th October 1797. When he became fit for service Nelson was informed that the new 80gun ship Foudroyant which had been intended as his flagship was delayed in construction and instead he was to be given the 10-year-old Vanguard instead. A 74-gun ship of the line, Vanguard had been built in the Royal Dockyard at Deptford near London to the design of Sir Thomas Slade. The greatest naval architect of his age, Slades masterpiece was the Victory, and he introduced the 74-gun ship into British service. The French had been the first to build 2-decker 74s, a far more efficient design than the British 3-decker 80-gun ship. The 74 was also the smallest ship that could carry a battery of 32-pounder guns on the lower deck, 32-pounders having proved to be the most effective naval ordnance in service. As an Admiral, Nelson theoretically left the choice of crew to his Captain, Edward Berry. In practice, however, many old associates were accommodated and Berry himself had served under Nelson on both Agamemnon and Captain. On 29th March 1798 Nelson hoisted his flag in Vanguard, then anchored at Spithead, to the accompaniment of a 15-gun salute. On 1st April the Vanguard sailed to join the Mediterranean fleet under Earl St Vincent off Cadiz. Warmly welcomed by St Vincent, he was ordered to take a small force consisting of Vanguard and two other 74-gun ships and three frigates into the Mediterranean and attempt to find out what the French were doing in Toulon. After picking up stores and the two additional 74s in Gibraltar, Nelson entered the Mediterranean. About 70 miles from Toulon they were fortunate in encountering and taking a small French warship, La Pierre. The captured crew were interrogated individually and it became clear that Napoleon was in Toulon and there were plans for the French fleet to move large numbers of troops to a destination that had not been revealed to the prisoners. Nelson placed his ships 75 miles south of Toulon which he felt would give them the best opportunity to intercept enemy ships coining out of or entering Toulon. We now come to the subject of Geoff Hunts painting. Early on the morning of 19th May, as the artist has portrayed, Nelsons fleet found itself in heavy weather. All the ships began to furl some of their sails and then take down their upper yards and masts. No-one realised that this was the precursor to a near disaster. On the 20th, the threat seemed to have passed and the ships settled down to their usual routine and there was no premonition of any trouble ahead. On the contrary, during the afternoon of 20th, Vanguards crew were hauling up upper masts and yards, the topgallants and royals, in anticipation of some fair weather sailing. But at 8pm the wind began to increase to fresh breezes and the sails were ordered in. By 10pm it was growing worse with the ships close-reefing the topsails on all three masts. By midnight Vanguard was only wearing a special heavy-weather sail while two of the other ships had sails blown out during the night. Vanguard fared considerably worse. At 1am on 21st the main topmast gave way and crashed over the side taking a seaman with it to his death, while another was killed falling onto the deck. Others managed to hold on to the remains of the mast and climb back on board. The main topmast was soon followed by the fore topmast and two hours later the foremast broke just above the deck crashing down over the bows. A third man was killed while clearing the ensuing chaos. In spite of the gale and much reduced sail area, Vanguard was able to change direction and avoid being driven onto the rocky coast of Corsica which was not far distant. The gale continued throughout the afternoon and evening of Monday 21st but then began to moderate in the early hours of the 22nd. Captain Alexander Ball of Alexander was able to take Vanguard in tow but then a new threat appeared. In the late afternoon the winds dropped almost to nothing, creating even greater dangers for ships that were now not far off the rocky coast of Sardinia. The wind remained very light and the ships were in increasing danger as they drifted towards the shore. Nelson hailed Captain Ball in the Alexander with an order to cast off the tow so that Balls ship which was not damaged might at least be saved. With an attitude that could only be called Nelsonic, Ball refused the order even when it was repeated with threats. Within an hour a breeze got up from the north-west sufficient to allow the ships to avoid destruction on the rocky shore and to reach the safe haven of a protected bay. As soon as possible, Nelson visited Alexander to give his grateful thanks to Ball who from then onjoined his circle of constant friends. He wrote later to Fanny, figure to yourself a vain man on Sunday evening at sunset, walking in his cabin with a squadron about him who looked up to their chief to lead them to glory, and in whom this chief placed the firmest reliance. Figure to yourself this proud conceited man, when the sun rose on Monday morning: his ship dismasted, his fleet dispersed, and himself in such distress that the meanest frigate out of France would have been a very unwelcome guest.

Signed limited edition of 850 prints. Image size 17 inches x 23 inches (43cm x 58cm). Price £120.00

ITEM CODE LI0023

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EDITIONS

Signed limited edition of 500 prints. Price : £110

ARTIST
Nicolas Trudgian



Having graduated from art college, Nicolas Trudgian spent many years as a professional illustrator before turning to a career in fine art painting. His crisp style of realism, attention to detail, compositional skills and bright use of colours, immediately found favour with collectors and demand for his original work soared on both sides of the Atlantic. Today, more than a decade after becoming a fine art painter, Nicolas Trudgian is firmly established within a tiny, elite group of aviation artists whose works are genuinely collected world-wide. Over the past decade Nick has earned a special reputation for giving those who love his work much more than just aircraft in his paintings. He goes to enormous lengths with his backgrounds, filling them with interesting and accurate detail, all designed to help give the aircraft in his paintings a tremendous sense of location and purpose. His landscapes are quite breathtaking and his buildings demonstrate an uncanny knowledge of perspective but it is the hardware in his paintings which are most striking. Whether it is an aircraft, tank, petrol bowser, or tractor, Nick brings it to life with all the inordinate skill of a truly accomplished fine art painter. A prodigious researcher, Nick travels extensively in his constant quest for information and fresh ideas. He has visited India, China, South Africa, South America, the Caribbean and travels regularly to the United States and Canada. He likes nothing better than to be out and about with sketchbook at the ready and if there is an old steam train in the vicinity, well that's a bonus!

You can see more prints by Nicolas Trudgian by clicking here.

Back From Normandy by Nicolas Trudgian

Normandy Special - £50 off until July 12th!

Like the Messerschmitt 109, its great adversary throughout almost six years of aerial combat, the Spitfire was a fighter par excellence. Good as many other types may have been, these two aircraft became symbols of the two opposing air forces they represented. Their confrontation, which began in 1940 during the Battle of Britain, continued without interruption until the last days of World War Two. From an air force teetering on extinction in the dark days of 1940, by the summer of 1944 the pilots of RAF Fighter Command had fought their way back to become top dogs. And when the invasion of northern France came, they swept over the beaches in force, cutting deep into enemy occupied territory, hammering the enemy in the air and on the ground. Key to this air superiority was the supreme performance of the Spitfire, its ability to out-fly the Luftwaffes best, and the wily leadership of the pilots who had survived the early air battles of the war. Among the best was 26 year old Pete Brothers, by 1944 a highly successful and experienced fighter pilot commanding his own Wing. Having fought through the battles of France and Britain, now with a clutch of air victories to his credit, in 1944 he took command of first the Exeter Wing, and then the Culinhead Wing, ideally placed to support the coming invasion of Normandy. Nick Trudgians striking painting recreates a typical scene as Mk IX Spitfires of 126 Squadron, led by Wing Commander Pete Brothers flying his Mk V11 Spitfire wearing high altitude paint scheme, race back to base at RAF Culinhead after a low-level attack on enemy transport in Normandy. The Culinhead Spitfire Wing flew constant armed Rhubarb attacks in support of the invasion from D-Day - June 6 1944 - till the first improvised strips were established in France a few weeks following the invasion. This beautiful aviation print, contrasting the frenetic pace of war with a restful English coastal landscape, evokes the memory of a legendary fighter aircraft that, flown by gallant pilots, helped change the course of history. Prints are signed by Pete Brothers and two other pilots who flew Spitfires in combat during World War II.

Signed by Air Commodore Peter Brothers CBE, DSO, DFC* (deceased),
Lieutenant General Avi Baron M Donnet CVO DFC FRAeS
and
Squadron Leader Arthur Leigh DFC, DFM.

DETAIL IMAGES





EXTRAS

As a special treat for collectors of Nicolas Trudgian's work, and aviation art collectors in general, we have made this print available for a limited time - until 12th July - with £50 off the usual price.

You can see more great deals on Normandy related prints by clicking here.

Don't forget this print is signed by :
Air Commodore Peter Brothers CBE, DSO, DFC* (deceased),
Lieutenant General Avi Baron M Donnet CVO DFC FRAeS
and
Squadron Leader Arthur Leigh DFC, DFM.

More Naval Art from our product database :

Operation Rheinubung by Randall Wilson. (B)



The Hunters by Randall Wilson. (B)



The Battle of the Nile by Anthony Saunders.



See more Stan Stokes Aviation Art at StanStokesPrints.com
See more Ivan Berryman Prints at IvanBerryman.com

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